{"id":1079,"date":"2021-03-21T16:49:06","date_gmt":"2021-03-21T15:49:06","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=1079"},"modified":"2024-08-03T09:34:28","modified_gmt":"2024-08-03T07:34:28","slug":"tania-mouraud","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/tania-mouraud\/","title":{"rendered":"Tania Mouraud"},"content":{"rendered":"\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<h3><span style=\"color: #b12763;\"><a style=\"color: #b12763;\" href=\"https:\/\/bis-art.com\/index.php\/edition-2018\/\">\u00c9dition 2018<\/a><\/span><\/h3>\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\">\n<h2><strong>Tania Mouraud<\/strong><\/h2>\n<p>n\u00e9e en 1942 \u00e0 Paris. Vit et travaille \u00e0 Paris.&nbsp;<\/p>\n<p>D\u00e8s la fin des ann\u00e9es soixante, le travail de Tania Mouraud s\u2019est inscrit dans une pratique questionnant les rapports de l\u2019art et des liens sociaux en utilisant diff\u00e9rents m\u00e9diums : peinture, installation, photo, son, vid\u00e9o, performance, etc.\u2028 Elle propose de rajouter dans nos appartements standard une chambre de m\u00e9ditation (1968).\u2028Elle affiche dans l\u2019espace public sur les panneaux 3 x 4 m son d\u00e9saccord avec une soci\u00e9t\u00e9 glorifiant l\u2019avoir au d\u00e9pend de l\u2019humain (1977).\u2028Elle r\u00e9fl\u00e9chit sur les rapports d\u00e9coratifs de l\u2019art et de la guerre, sur les limites de la perception avec l\u2019aide de l\u2019\u00e9criture en cr\u00e9ant des mots de forme (1989).&nbsp;<\/p>\n<p>\u00c0 partir de 1998, elle utilise la photo, la vid\u00e9o et le son dans une forte relation \u00e0 la peinture pour questionner diff\u00e9rents aspects de l\u2019histoire et du vivant.&nbsp;<\/p>\n<p>Celle qui dit \u00ab crier toujours, jusqu\u2019\u00e0 la fin du monde&nbsp;\u00bb propose une \u0153uvre apais\u00e9e pour la Biennale.&nbsp;<em>Mots m\u00eal\u00e9s &#8211; SMAPT (<\/em>2018) est une installation en plants de lavande en fleur d\u00e9clinant le texte issu de l\u2019op\u00e9ra Einstein on the Beach ; (Philipp Glass et Robert Wilson).&nbsp;<\/p>\n<p>\u00ab Tout doit avoir une fin&nbsp;<strong>S<\/strong>auf&nbsp;<strong>M<\/strong>on&nbsp;<strong>A<\/strong>mour&nbsp;<strong>P<\/strong>our&nbsp;<strong>T<\/strong>oi&nbsp;\u00bb.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column\">\n<p style=\"text-align: right;\"><strong data-rich-text-format-boundary=\"true\">Mots M\u00eal\u00e9s \u2013 SMAPT, 2018<\/strong><br data-rich-text-line-break=\"true\" \/>Bacs en bois, terre, lavande 150 x 450 cm<br data-rich-text-line-break=\"true\" \/>Courtesy de l\u2019artiste<br data-rich-text-line-break=\"true\" \/>\u0152uvre install\u00e9e gr\u00e2ce au soutien des Parfumeries Fragonard<\/p>\n<\/div>\n<\/div>\n\n\n<h3 style=\"text-align: right;\"><span style=\"color: #b12763;\"><a style=\"color: #b12763;\" href=\"https:\/\/bis-art.com\/index.php\/edition-2018\/\">&gt; \u00c9dition 2018<\/a><\/span><\/h3>\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9dition 2018 Tania Mouraud n\u00e9e en 1942 \u00e0 Paris. Vit et travaille \u00e0 Paris.&nbsp; D\u00e8s la fin des ann\u00e9es soixante, le travail de Tania Mouraud s\u2019est inscrit dans une pratique questionnant les rapports de l\u2019art et des liens sociaux en utilisant diff\u00e9rents m\u00e9diums : peinture, installation, photo, son, vid\u00e9o, performance, etc.\u2028 Elle propose de rajouter &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/bis-art.com\/index.php\/tania-mouraud\/\"> <span class=\"screen-reader-text\">Tania Mouraud<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1079"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=1079"}],"version-history":[{"count":3,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1079\/revisions"}],"predecessor-version":[{"id":3579,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1079\/revisions\/3579"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=1079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}