{"id":1427,"date":"2021-06-05T14:35:40","date_gmt":"2021-06-05T12:35:40","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=1427"},"modified":"2024-08-02T18:57:26","modified_gmt":"2024-08-02T16:57:26","slug":"aurelie-petrel","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/aurelie-petrel\/","title":{"rendered":"Aur\u00e9lie P\u00e9trel"},"content":{"rendered":"\n
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Aur\u00e9lie P\u00e9trel<\/span><\/h2>\n\n\n
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N\u00e9e \u00e0 Lyon en 1980
Vit et travaille \u00e0 Paris, Romme et Gen\u00e8ve<\/p>\n

La pratique photographique d\u2019Aur\u00e9lie P\u00e9trel interroge le statut de l\u2019image, son utilisation ainsi que les m\u00e9canismes de sa production. Ancr\u00e9es dans la dur\u00e9e, ses recherches visent \u00e0 ramener la prise de vue au centre de la r\u00e9flexion multisensorielle \u00e0 l\u2019aide de dispositifs spatiaux.<\/p>\n

Aur\u00e9lie P\u00e9trel pose ainsi la question de la mutation-mutabilit\u00e9 d\u2019une image, son potentiel de fractalisation, non seulement en soi mais aussi dans ce qu\u2019elle peut provoquer comme trouble en son exp\u00e9rience de pluriperception. Pour elle, une prise de vue g\u00e9n\u00e8re une multitude de prises de point de vue. Les temps et les espaces ne cessent de se superposer, tout en ne cessant pas de se disjointer. L\u2019image, vecteur mouvant de cette \u00e9lasticit\u00e9 spatio-temporelle, se redistribue et en ses m\u00e9tamorphoses cons\u00e9cutives vient ainsi d\u00e9jouer son absorption consensuelle, sa perception une et d\u00e9finitive, son moment et sa position d\u00e9cisifs. La latence de l\u2019image se repense.<\/p>\n

Mettant en \u0153uvre les outils formels et les processus intellectuels tant des artistes que des chercheurs, P\u00e9trel associe une d\u00e9marche plasticienne et conceptuelle dans une suite programmatique de mises en situation, o\u00f9 le format exposition rejoue \u00e0 chaque fois diff\u00e9remment, la dimension interpr\u00e9tative de toute partition, de toute photographie en latence, de toute forme en attente de m\u00e9tamorphose. <\/p>\n

Texte de Sylvie Lagnier<\/p>\n

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Born in 1980. Lives and works between Paris, Romme (France) and Geneva<\/em><\/p>\n

Aur\u00e9lie P\u00e9trel’s photographic practice questions the status of the image, its use and the mechanisms of its production. Anchored in time, her research aims to bring the shot back to the centre of multisensory reflection with the help of spatial devices.<\/em><\/p>\n

Aur\u00e9lie P\u00e9trel thus raises the question of the mutation-mutability of an image, its potential for fractalization, not only in itself but also in what it can provoke as a disturbance in its experience of pluriperception. For her, a shot generates a multitude of shots from different points of view. Times and spaces never cease to overlap, while never ceasing to disjoin. The image, a moving vector of this spatio-temporal elasticity, redistributes itself and in its consecutive metamorphoses thus thwarts its consensual absorption, its single and definitive perception, its decisive moment and position. The latency of the image is rethought.<\/em><\/p>\n

Using the formal tools and intellectual processes of both artists and researchers, P\u00e9trel combines a plastic and conceptual approach in a programmatic series of settings in which the exhibition format re-enacts, each time differently, the interpretative dimension of any score, of any photograph in latency, of any form awaiting metamorphosis. <\/em><\/p>\n

Text from Sylvie Lagnier<\/em><\/p>\n

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> Retour Artistes 2021<\/strong><\/a><\/span><\/p>\n<\/div>\n\n\n\n

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Tokyo Bay, 2011<\/strong>
C-print, film polyester encapsul\u00e9 et Evasafe de Bridgestone, verre extra-clair 6
180 x 270 cm
Courtesy Ceysson & B\u00e9n\u00e9ti\u00e8re<\/span><\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Aur\u00e9lie P\u00e9trel N\u00e9e \u00e0 Lyon en 1980Vit et travaille \u00e0 Paris, Romme et Gen\u00e8ve La pratique photographique d\u2019Aur\u00e9lie P\u00e9trel interroge le statut de l\u2019image, son utilisation ainsi que les m\u00e9canismes de sa production. Ancr\u00e9es dans la dur\u00e9e, ses recherches visent \u00e0 ramener la prise de vue au centre de la r\u00e9flexion multisensorielle \u00e0 l\u2019aide de …<\/p>\n

Aur\u00e9lie P\u00e9trel<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"disabled","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1427"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=1427"}],"version-history":[{"count":10,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1427\/revisions"}],"predecessor-version":[{"id":3561,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1427\/revisions\/3561"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=1427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}