{"id":1478,"date":"2021-06-06T14:27:31","date_gmt":"2021-06-06T12:27:31","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=1478"},"modified":"2023-01-11T13:38:05","modified_gmt":"2023-01-11T12:38:05","slug":"linda-sanchez","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/linda-sanchez\/","title":{"rendered":"Linda Sanchez"},"content":{"rendered":"\n
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Linda Sanchez<\/span><\/h2>\n

N\u00e9 \u00e0 Thonon-les-Bains en 1983
Vit et travaille \u00e0 Marseille<\/p>\n

Dipl\u00f4m\u00e9e de l\u2019Ecole Sup\u00e9rieure d\u2019Art Annecy Alpes en 2006 puis 2015 (DSRA), Linda Sanchez effectue de nombreuses r\u00e9sidences, des workshops et des collaborations qui lui permettent de d\u00e9velopper sa recherche. Son travail est tr\u00e8s t\u00f4t pr\u00e9sent\u00e9 \u00e0 l\u2019IAC \u2013 Institut d\u2019art contemporain de Villeurbanne et elle fait partie de la s\u00e9lection de la 62\u00e8me \u00e9dition du Salon de Montrouge. Elle est laur\u00e9ate du Prix R\u00e9v\u00e9lations Emerige en 2017 et obtient le Prix D\u00e9couverte des Amis du Palais de Tokyo en 2018. Les \u00e9carts serr\u00e9s<\/em>, son premier solo show \u00e0 la Galerie Papillon, qui la repr\u00e9sente, a eu lieu en 2018. En 2019, elle participe, entre autres, \u00e0 l\u2019exposition Futur, ancien, fugitif<\/em> d\u00e9di\u00e9e \u00e0 la sc\u00e8ne fran\u00e7aise au Palais de Tokyo, Paris.<\/p>\n

L\u2019autre<\/em> est une ligne de travail qui interroge la construction et le paysage mais aussi l\u2019architecture du geste. Les \u0153uvres de cette s\u00e9rie prennent des occurrences diff\u00e9rentes en fonction des espaces d\u2019exposition. L\u2019autre (neuf colonnes)<\/em> a \u00e9t\u00e9 pr\u00e9sent\u00e9e dans le cadre de la Bourse R\u00e9v\u00e9lations Emerige en 2017 dont l\u2019artiste a \u00e9t\u00e9 laur\u00e9ate. D\u2019autres d\u00e9clinaisons sous forme d\u2019installations\/performances in situ ont \u00e9t\u00e9 r\u00e9alis\u00e9es depuis, notamment \u00e0 l\u2019IAC Villeurbanne en 2018 et au Palais de Tokyo en 2019.<\/p>\n

L\u2019autre, c\u2019est l\u2019\u00e9criture d\u2019une partition, qui joue et rejoue les formes du hasard en sculpture. <\/em><\/p>\n

Neuf colonnes sont construites par strates, intrins\u00e8quement de la m\u00eame mani\u00e8re. Motifs color\u00e9s, quantit\u00e9 de mat\u00e9riau, pente mais aussi inclusions, lignes de fracture et points de fragilit\u00e9 sont reproduits \u00e0 l\u2019identique. En cons\u00e9quence, pouss\u00e9es au sol, les neuf colonnes se brisent \u00e9galement de la m\u00eame mani\u00e8re. L\u2019\u0153uvre dans son ensemble se compose de trois colonnes debout, trois cass\u00e9es en deux morceaux et trois cass\u00e9es en trois morceaux.<\/p>\n

Ayant la m\u00eame matrice\u00a0; elles sont comme des \u00ab\u00a0objets-s\u00e9quences\u00a0\u00bb dans des \u00e9tats d\u2019avancement, de lecture, diff\u00e9rents.<\/p>\n

Il est question ici de reproductibilit\u00e9 d\u2019une forme composite. Le r\u00e9seau de traces et de signes visibles n\u2019est pas un agencement (tel un d\u00e9cor) mais le r\u00e9sultat de gestes r\u00e9-\u00e9prouv\u00e9s \u00e0 l\u2019identique. La s\u00e9quence originale, autant que les \u00ab\u00a0copies\u00a0\u00bb, valent comme un script, une partition de gestes, d\u2019op\u00e9rations, de temporalit\u00e9s plastiques dans l\u2019espace.<\/p>\n

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Born in 1983 in Thonon-les-Bains. Lives and works in Marseille<\/em><\/p>\n

Graduated from the Ecole Sup\u00e9rieure d’Art Annecy Alpes in 2006 and 2015 (DSRA), Linda Sanchez carries out numerous residencies, workshops and collaborations that allow her to develop her research. Her work was soon presented at the IAC – Institut d’art contemporain de Villeurbanne and she was selected for the 62nd edition of the Salon de Montrouge. She was awarded the Emerige Revelations Prize in 2017 and the Prix D\u00e9couverte des Amis du Palais de Tokyo in 2018. Les \u00e9carts serr\u00e9s, her first solo show at Galerie Papillon, which represents her, took place in 2018. In 2019, she will participate, among others, in the exhibition Futur, ancien, fugitif dedicated to the French scene at the Palais de Tokyo, Paris.<\/em><\/p>\n

L’autre is a line of work that questions construction and landscape but also the architecture of gesture. The works in this series take on different occurrences depending on the exhibition space. L’autre (neuf colonnes) was presented as part of the Bourse R\u00e9v\u00e9lations Emerige in 2017, of which the artist was the winner. Other variations in the form of installations\/performances in situ have been produced since then, notably at the IAC Villeurbanne in 2018 and at the Palais de Tokyo in 2019.<\/em><\/p>\n

L\u2019autre is the writing of a score, which plays and replays the forms of chance in sculpture.<\/em><\/p>\n

Nine columns are built in layers, intrinsically in the same way. Coloured patterns, quantity of material, slope but also inclusions, fracture lines and points of fragility are reproduced identically. As a result, when pushed to the ground, the nine columns also break in the same way. The work as a whole consists of three standing columns, three broken into two pieces and three broken into three pieces.<\/em><\/p>\n

Having the same matrix, they are like “sequence-objects” in different states of progress, of reading.<\/em><\/p>\n

It is a question here of the reproducibility of a composite form. The network of visible traces and signs is not an arrangement (like a d\u00e9cor) but the result of gestures re-proven in the same way. The original sequence, as much as the “copies”, is a script, a score of gestures, operations and plastic temporalities in space.<\/em><\/p>\n

\u00a0<\/p>\n\n\n\n

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> Retour Artistes 2021<\/strong><\/a><\/span><\/p>\n<\/div>\n\n\n\n

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L\u2019autre, 2017<\/strong>
Ciment, pl\u00e2tre, pigments
Dimensions variables
Courtesy de l\u2019artiste et de la Galerie Papillon<\/span><\/a>
Photo Fran\u00e7ois Fernandez<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Linda Sanchez N\u00e9 \u00e0 Thonon-les-Bains en 1983Vit et travaille \u00e0 Marseille Dipl\u00f4m\u00e9e de l\u2019Ecole Sup\u00e9rieure d\u2019Art Annecy Alpes en 2006 puis 2015 (DSRA), Linda Sanchez effectue de nombreuses r\u00e9sidences, des workshops et des collaborations qui lui permettent de d\u00e9velopper sa recherche. Son travail est tr\u00e8s t\u00f4t pr\u00e9sent\u00e9 \u00e0 l\u2019IAC \u2013 Institut d\u2019art contemporain de Villeurbanne …<\/p>\n

Linda Sanchez<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"disabled","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1478"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=1478"}],"version-history":[{"count":4,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1478\/revisions"}],"predecessor-version":[{"id":2389,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1478\/revisions\/2389"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=1478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}