{"id":1581,"date":"2021-06-07T14:44:26","date_gmt":"2021-06-07T12:44:26","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=1581"},"modified":"2023-01-10T14:09:36","modified_gmt":"2023-01-10T13:09:36","slug":"edition2021-une-galerie-un-artiste","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/edition2021-une-galerie-un-artiste\/","title":{"rendered":"Edition2021 Une galerie un artiste"},"content":{"rendered":"\n
<\/div>\n\n\n

Edition 2021<\/span><\/h2>\n

Le parcours des Galeries > une Galerie – un artiste
The Gallery Route > One Gallery – One Artist<\/em>
<\/span><\/h2>\n

\u00a0<\/p>\n\n\n

\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n

Con\u00e7u comme une opportunit\u00e9 d\u2019\u00e9changes et d\u2019\u00e9mulation artistique, le \u00ab Parcours des Galeries \u00bb de Saint-Paul de Vence s\u2019inscrit dans un temps de reprise, essentiel, de la culture et de soutien aux artistes cr\u00e9ateurs.
En participant au concept \u00ab Une galerie \u2013 Un artiste \u00bb, chaque galerie pr\u00e9sentera, dans son espace, un artiste visuel de son choix qu\u2019elle mettra en lumi\u00e8re tout le temps de la Biennale.<\/p>\n

Conceived as an opportunity for exchange and artistic emulation, the “Parcours des Galeries” of Saint-Paul de Vence is part of an essential time of recovery for culture and support for creative artists.<\/em>
By participating in the “One gallery – One artist” concept, each gallery presents a visual artist of its choice in its space, whom will be highlights throughout the Biennial.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\n


Bog\u00e9na Galerie – Juan Garaizabal<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

777 route de la Colle – Saint Paul de Vence – www.bogena-galerie.com<\/span><\/a><\/em>

Juan Garaizabal (Espagne, 1971) est un sculpteur internationalement reconnu. Ses \u0153uvres -revisitent des \u00e9l\u00e9ments architecturaux disparus en int\u00e9grant diff\u00e9rentes techniques telles que la\u00a0sculpture, le dessin, la gravure, la lumi\u00e8re, l\u2019art vid\u00e9o et les enregistrements audio
Artiste conceptuel, il travaille \u00e0 la main, en utilisant des savoir-faire acquis au fil des ann\u00e9es : forge, charpente, \u00e9lectricit\u00e9, ma\u00e7onnerie ou encore plasticit\u00e9. Il a acquis une renomm\u00e9e -mondiale gr\u00e2ce \u00e0 ses installations monumentales dans l\u2019espace public, ses \u00ab Urban Memories \u00bb qui occupent des sites d\u2019importance historique laiss\u00e9s vacants (\u00e0 Berlin, Miami, Paris, Chicago…). \u00a0

Juan Garaizabal (Spain, 1971) is an internationally renowned sculptor. His works revisit vanished architectural elements by integrating different techniques such as sculpture, drawing, engraving, light, video art and audio recordings.\u00a0
A conceptual artist, he works by hand, using skills acquired over the years: forging, carpentry, electricity, masonry and plasticity. He has gained worldwide recognition for his monumental installations in public spaces, his “Urban Memories”, which occupy sites of historical importance that have been left vacant (in Berlin, Miami, Paris, Chicago, etc.).<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\n


De Buck Gallery – Devan Shimoyama<\/span><\/strong><\/strong><\/h3><\/div>
<\/div><\/div>

50 chemin des Trious – Saint Paul de Vence – www.debuckgallery.com<\/span><\/a><\/em>

<\/em>Devan Shimoyama (Philadelphie, 1989) est un artiste visuel qui travaille principalement sur -l\u2019autoportrait et les r\u00e9cits inspir\u00e9s de la mythologie classique et de l\u2019all\u00e9gorie. Shimoyama cherche \u00e0 d\u00e9peindre le corps masculin noir queer comme quelque chose de d\u00e9sirable et de d\u00e9sir\u00e9.
Il explore le myst\u00e8re et la magie dans le processus de compr\u00e9hension de ses origines et se penche \u00e9galement sur la politique de la culture queer.
Son travail s\u2019inspire des canons des ma\u00eetres tels Caravage et Goya, tout en y ajoutant une -expression et une sensualit\u00e9 plus contemporaines. Avec l\u2019utilisation de divers mat\u00e9riaux : -peinture \u00e9clabouss\u00e9e, pochoirs, paillettes noires, strass et paillettes, Shimoyama cr\u00e9e des pi\u00e8ces qui -capturent l\u2019esprit magique des \u00eatres humains.\u00a0

Devan Shimoyama (Philadelphia, 1989) is a visual artist who works primarily with self-portraiture and narratives inspired by classical mythology and allegory. Shimoyama seeks to portray the queer black male body as something desirable and desired. He explores the mystery and magic in the process of understanding his origins and also looks at the politics of queer culture.\u00a0
His work is inspired by the canons of masters such as Caravaggio and Goya, while adding a contemporary expression and sensuality. Using a variety of materials: splatter paint, stencils, black glitter, rhinestones, and sequins, Shimoyama creates pieces that capture the magical spirit of human beings.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n\n\n\n

<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n


Galerie Podgorny Robinson – Nicolas Sanhes<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

Place de Gaulle – Saint-Paul de Vence – www.pr-gallery.com<\/span><\/a><\/em>

Dipl\u00f4m\u00e9 de l\u2019\u00c9cole des Beaux-Arts de Perpignan, Nicolas Sanhes (1965, Rodez) utilise le goudron comme moyen plastique durant ses premi\u00e8res ann\u00e9es. Cette exploration le m\u00e8ne directement \u00e0 la sculpture et \u00e0 l\u2019\u00e9laboration de formes d\u2019art radicales. L\u2019artiste poursuit ses premiers travaux appel\u00e9s \u00ab sculptures-outils \u00bb et installe peu \u00e0 peu des principes formels de r\u00e9p\u00e9titions et de modules rectilignes, toujours pr\u00e9sents aujourd\u2019hui.\u00a0
Depuis 2004, ses recherches sur la ligne l\u2019orientent vers une g\u00e9om\u00e9trie nouvelle qu\u2019il nommera \u00ab\u00a0g\u00e9om\u00e9trie incidente \u00bb. Pens\u00e9e comme une mise en relation d\u2019un plan et d\u2019une verticale,\u00a0la ligne ne peut donc plus, lors de son d\u00e9ploiement dans l\u2019espace, ob\u00e9ir aux r\u00e8gles classiques de la g\u00e9om\u00e9trie. Nicolas Sanhes a trouv\u00e9 et affirme son v\u00e9ritable style.\u00a0

Graduated from the \u00c9cole des Beaux-Arts in Perpignan, Nicolas Sanhes (Rodez, 1965) used tar as a plastic medium during his early years.\u00a0This exploration led him directly to sculpture and the development of radical art forms. The artist continued with his first works called “tool-sculptures” and gradually established formal principles of repetition and rectilinear modules, which are still present today.\u00a0
Since 2004, his research on the line has oriented him towards a new geometry that he calls “incidental geometry”. Thought of as a relationship between a plane and a vertical, the line, when deployed in space, can no longer obey the classical rules of geometry. Nicolas Sanhes has found and asserts his true style.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

\n


Galerie Catherine Issert – Martin Belou<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

2 route des Serres – Saint Paul de Vence – www.galerie-issert.com<\/span><\/a><\/em>

Martin Belou (l\u2019Union, 1986) est un artiste qui cr\u00e9e des situations performatives et des exp\u00e9riences utilisant les \u00e9l\u00e9ments (terre, eau, air, feu). Conduit par l\u2019intuition et un savoir-faire artisanal, l\u2019artiste combine sculpture, dessins et mati\u00e8res organiques dans des installations qui parlent souvent de notions universelles li\u00e9es au travail manuel, la tradition et la communaut\u00e9.\u00a0
En mars 2019, Martin Belou a pr\u00e9sent\u00e9 sa premi\u00e8re exposition personnelle en galerie \u00e0 Marseille chez Catherine Bastide Projects, en partenariat avec Triangle France \u2013 Ast\u00e9rides. Il a \u00e9galement particip\u00e9 \u00e0 l\u2019exposition \u00ab Futur, Ancien, Fugitif \u00bb d\u00e9di\u00e9e \u00e0 la sc\u00e8ne artistique fran\u00e7aise au Palais de Tokyo, Paris ; puis pr\u00e9sent\u00e9 une exposition personnelle \u00e0 la Bernier\/Eliades Gallery en 2020.

Martin Belou (L’union, 1986) is an artist who creates performative situations and experiments using the elements (earth, water, air, fire). Driven by intuition and craftsmanship, the artist combines sculpture, drawings and organic materials in installations that often speak to universal notions related to manual labour, tradition and community.\u00a0
In March 2019, Martin Belou presented his first solo gallery show in Marseille at Catherine Bastides Projects, in partnership with Triangle France – Ast\u00e9rides. He also participated in the exhibition “Futur, Ancien, Fugitif” dedicated to the French art scene at the Palais de Tokyo, Paris; then presented a solo exhibition at Bernier\/Eliades Gallery in 2020.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n


Galerie Lefakis – Aggelika Korovess<\/strong>i<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

13 rue Grande – Saint Paul de Vence – fr.galerielefakis-stpaul.com<\/span><\/a><\/em><\/em>

Dipl\u00f4m\u00e9e de l\u2019\u00e9cole des Beaux-Arts d\u2019Ath\u00e8nes, Aggelika Korovessi (Pyrgos, Gr\u00e8ce \u2013 1952) est une artiste largement expos\u00e9e en Gr\u00e8ce et \u00e0 l\u2019international, au sein de mus\u00e9es et de collections publiques ou priv\u00e9es. Depuis 1985, l\u2019artiste s\u2019int\u00e9resse sp\u00e9cifiquement \u00e0 l\u2019analyse sonore des mots, conduisant ses recherches au Centre de musique \u00e9lectronique fond\u00e9 par Iannis Xenakis.
Korovessi cr\u00e9e des \u0153uvres qui alliant l\u2019utilisation de la technologie, de la musique et de la science, pour aboutir \u00e0 des \u00ab sculptures sonores \u00bb, aussi appel\u00e9es SonArt.

Graduated from the Athens School of Fine Arts, Aggelika Korovessi (Pyrgos, Greece – 1952) is an artist widely exhibited in Greece and internationally, in museums and public and private collections. Since 1985, the artist has been specifically interested in the sound analysis of words, conducting her research at the Centre for Electronic Music founded by Iannis Xenakis. Korovessi creates works that combine the use of technology, music and science, resulting in ‘sound sculptures’, also known as SonArt.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n


Le Cercle des Artistes de Saint-Paul de Vence – Fabrice Nuttin<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

La Vieille Forge – Place du Tilleul – Saint Paul de Vence – www.artmajeur.com\/cercledesartistes<\/span><\/a><\/em>

Dipl\u00f4m\u00e9 de l\u2019\u00c9cole de Communication Visuelle de Paris en direction artistique, Fab Nut expose ses premi\u00e8res installations lumineuses en marge d\u2019\u00e9v\u00e9nements musicaux parisiens puis revient \u00e0 Saint Paul de Vence, le village o\u00f9 il a grandi, pour y travailler de nouvelles pistes de recherche, lesquelles aboutissent \u00e0 un ensemble d\u2019\u0153uvres qu\u2019il nomme : \u00abL\u2019univers est vibration\u00bb.
Appliquant en peinture acrylique sur toile son graphisme conceptuel \u00ab de l\u2019atome \u00e0 des ensembles plan\u00e9taires \u00bb, des mobiles en bois viennent argumenter son point de vue sur la -mati\u00e8re physique et l\u2019imperceptible. Le vent dans son travail sculptural est essentiel pour donner vie in-situ \u00e0 ses cr\u00e9ations.
Il s\u2019amuse \u00e0 interroger le r\u00e9el, interpr\u00e9tant avec son imaginaire des r\u00e9alit\u00e9s et choses physiques.

Graduated from the \u00c9cole de Communication Visuelle de Paris in artistic direction, Fab Nut exhibited his first light installations on the fringes of Parisian musical events, then returned to Saint-Paul de Vence, the village where he grew up, to work on new avenues of research, which led to a body of work that he calls “The universe is vibration”. Applying his conceptual graphics “from the atom to planetary ensembles” in acrylic paint on canvas, wooden mobiles argue his point of view on physical matter and the imperceptible. The wind in his sculptural work is essential to give life in-situ to his creations. He has fun questioning reality, interpreting physical realities and things with his imagination.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n


Dan & Donuts Gallery – Peppone<\/span><\/strong><\/strong><\/h3><\/div>
<\/div><\/div>

50 rue grande – Saint-Paul de Vence – www.dan-donuts-gallery.com<\/span><\/a><\/em><\/em>

Peppone (1970) vit et travaille pr\u00e8s d\u2019Aix-en-Provence. Grand collectionneur des aventures de -Tintin, ce personnage est devenu l\u2019un des piliers de sa pratique. Consid\u00e9rant que l\u2019homme, conscient de sa finalit\u00e9, \u00e9chappe \u00e0 sa condition en entretenant un lien cyclique entre -pass\u00e9, -pr\u00e9sent et futur par la reproduction, la communication et le r\u00eave, l\u2019artiste exploite la figure de -Tintin pour cultiver la filiation avec son p\u00e8re et se projeter dans une forme de \u00ab situation -artistique\u00a0\u00bb.

Peppone (1970) lives and works near Aix-en-Provence. A great collector of the adventures of Tintin, this character has become one of the pillars of his practice. Considering that man, conscious of his finality, escapes his condition by maintaining a cyclical link between past, present and future for reproduction, communication and dreaming, the artist exploits the figure of Tintin to cultivate the filiation with his father and to project himself into a form of “artistic situation”.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

\n


Saint-Paul Galerie – Marc Ingoglia<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

19 rue Grande – Saint-Paul de Vence – saint-paul-galerie.e-monsite.com<\/span><\/a><\/em>

Marc Ingoglia, artiste varois, utilise des mat\u00e9riaux transparents permettant \u00e0 la couleur de vivre au travers de la lumi\u00e8re. Les sculptures de l\u2019artiste ont une double vie : celle que leur apporte la lumi\u00e8re \u00e9clairant la surface et celle qu\u2019elle leur donne lorsqu\u2019elle les \u00e9claire par derri\u00e8re ou par l\u2019int\u00e9rieur. L\u2019exploration de la mati\u00e8re PMMA permet de pr\u00e9senter un univers tout en fusion et en interp\u00e9n\u00e9tration, et le libre passage de la lumi\u00e8re qui magnifie la couleur.

Marc Ingoglia, an artist from the Var region of France, uses transparent materials that allow the colour to live through the light. The artist’s sculptures have a double life: the one brought to them by the light illuminating the surface and the one it gives them when it illuminates them from behind or from the inside. The exploration of the PMMA material allows for the presentation of a universe full of fusion and interpenetration, and the free passage of light that magnifies the colour.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n


Di Allure Art Gallery – Sinisha S. KashaWelski<\/span><\/strong><\/strong><\/h3><\/div>
<\/div><\/div>

53 rue Grande – Saint Paul de Vence – www.diallureart.com<\/span><\/a><\/em><\/em>

Les oeuvres de Sinisha S. Kashawelski (Kumanovo, Mac\u00e9doine \u2013 1969), recouvrent un creuset d\u2019esth\u00e9tiques, principalement orient\u00e9es par une mouvance surr\u00e9aliste elle-m\u00eame tricot\u00e9e par des motifs issus de la tradition mac\u00e9donienne, dont le r\u00e9sultat aboutit \u00e0 des images homog\u00e8nes de personnages et de paysages oniriques \u00e9tranges.\u00a0
Laur\u00e9at du Palm Art Award (Allemagne) en 2016 et d\u2019une m\u00e9daille d\u2019or du Salon des artistes -fran\u00e7ais, l\u2019artiste a pr\u00e9sent\u00e9 ses \u0153uvres lors de nombreuses expositions en Allemagne, en France et aux Etats-Unis. Kashawelski a \u00e9t\u00e9 choisi pour peindre le plafond du Th\u00e9\u00e2tre national de Skopje, en Mac\u00e9doine.

The works of Sinisha S. Kashawelski (Kumanovo, Macedonia – 1969), cover a melting pot of aesthetics, mainly oriented by a surrealist movement itself knitted by motifs from the Macedonian tradition, the result of which is homogeneous images of characters and strange dreamlike landscapes.\u00a0
Winner of the Palm Art Award (Germany) in 2016 and a gold medal from the Salon des artistes fran\u00e7ais, the artist has presented his work at numerous exhibitions in Germany, France and the United States. Kashawelski was chosen to paint the ceiling of the National Theatre in Skopje, Macedonia.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

\n


Galerie Casa d\u2019Amor Design<\/strong>
Isabelle de Botton – Abel Ram\u00edrez Massot<\/strong><\/span><\/h3><\/div>
<\/div><\/div>

62 rue Grande – Saint-Paul de Vence – www.casadamordesign.com<\/span><\/a><\/em>

Abel Ram\u00edrez Massot (La Havane, 1979) est un peintre cubain dipl\u00f4m\u00e9 avec mention de l\u2019Acad\u00e9mie des Beaux-Arts de San Alejandro (Cuba). Attach\u00e9 \u00e0 la repr\u00e9sentation de personnages sur grand formats, l\u2019artiste cherche \u00e0 mettre en lumi\u00e8re, dans ses toiles, l\u2019expressivit\u00e9 humaine. Les portraits tentent de montrer la nudit\u00e9 absolue de leur \u00e2me, leur \u00eatre le plus intime, leurs r\u00e9flexions et leurs pr\u00e9occupations, conduisant le spectateur \u00e0 une r\u00e9flexion sur le milieu social d\u2019o\u00f9 proviennent ces personnages, mais aussi et surtout \u00e0 une r\u00e9flexion introspective.

Abel Ram\u00edrez Massot (Havana, 1979) is a Cuban painter who graduated with honours from the Academy of Fine Arts in San Alejandro (Cuba). Attached to the representation of characters on large formats, the artist seeks to highlight, in his paintings, the human expressiveness. The portraits attempt to show the absolute nakedness of their soul, their most intimate being, their reflections and their preoccupations, leading the spectator to a reflection on the social environment from which these characters come, but also and above all to an introspective reflection.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n


Galerie Ot\u00e9ro – Fr\u00e9d\u00e9ric Lang<\/strong>e<\/span><\/strong><\/h3><\/div>
<\/div><\/div>

81 rue Grande – Saint Paul de Vence – www.galerie-otero.com<\/span><\/a><\/em><\/em>

Fr\u00e9d\u00e9ric Lange (Belgique, 1963) d\u00e9bute une carri\u00e8re autodidacte tr\u00e8s acad\u00e9mique en\u00a0sculpture, et\u00a0propose une \u0153uvre qui se veut \u00ab liaison entre la mati\u00e8re et l\u2019intelligence du vivant, interpr\u00e9tation mat\u00e9rialis\u00e9e du temps \u00bb.
Ce proc\u00e9d\u00e9 technique particulier lui permet de couler du bronze autour de bois tr\u00e8s anciens, pr\u00e9servant ainsi la m\u00e9moire de ces mati\u00e8res fossilis\u00e9es, figeant la beaut\u00e9 de l\u2019usure, remplie de ses reliefs, dans une intime sensibilit\u00e9 et dialogue avec la nature.

Fr\u00e9d\u00e9ric Lange (Blegique, 1963) began a very academic self-taught career in sculpture and proposes a work that aims to be “a link between matter and the intelligence of the living, a materialized interpretation of time”.\u00a0
This particular technical process allows him to cast bronze around very old wood, thus preserving the memory of these fossilised materials, freezing the beauty of wear, filled with its reliefs, in an intimate sensitivity and dialogue with nature.<\/em><\/p><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n

\u00a0<\/h4>\n

\u00c9dition 2021 ><\/a><\/strong><\/span><\/h4>\n

Le commissariat <\/a>artistique ><\/a><\/strong><\/span>
Le jury ><\/a><\/strong><\/span>
Les artistes et les oeuvres ><\/a>
Nos remerciements ><\/a><\/strong><\/span><\/h4>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Edition 2021 Le parcours des Galeries > une Galerie – un artisteThe Gallery Route > One Gallery – One Artist \u00a0 Con\u00e7u comme une opportunit\u00e9 d\u2019\u00e9changes et d\u2019\u00e9mulation artistique, le \u00ab Parcours des Galeries \u00bb de Saint-Paul de Vence s\u2019inscrit dans un temps de reprise, essentiel, de la culture et de soutien aux artistes cr\u00e9ateurs. …<\/p>\n

Edition2021 Une galerie un artiste<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1581"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=1581"}],"version-history":[{"count":14,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1581\/revisions"}],"predecessor-version":[{"id":2957,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/1581\/revisions\/2957"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=1581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}