{"id":2628,"date":"2023-05-27T19:33:30","date_gmt":"2023-05-27T17:33:30","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=2628"},"modified":"2025-09-15T18:22:14","modified_gmt":"2025-09-15T16:22:14","slug":"katia-kameli","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/katia-kameli\/","title":{"rendered":"Katia Kameli"},"content":{"rendered":"\n
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Katia Kameli<\/h2>\n\n\n
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N\u00e9e en 1973 \u00e0 Clermont-Ferrand
Vit et travaille \u00e0 Paris<\/p>\n

La pratique de Katia Kameli, artiste et r\u00e9alisatrice franco-alg\u00e9rienne, repose sur une d\u00e9marche de recherche : le fait historique et culturel alimente les formes plurielles de son imaginaire plastique et po\u00e9tique. Elle se consid\u00e8re comme une \u00ab\u2009traductrice\u2009\u00bb. La traduction n\u2019est pas un simple passage entre deux cultures ni un simple acte de transmission, mais fonctionne aussi comme une extension de sens et de formes. Une r\u00e9\u00e9criture des r\u00e9cits appara\u00eet au sein de son travail. Elle met en lumi\u00e8re une histoire, globale, faite de fronti\u00e8res poreuses et d\u2019influences r\u00e9ciproques afin d\u2019ouvrir une voie r\u00e9flexive et g\u00e9n\u00e9ratrice d\u2019un regard critique sur le monde.<\/p>\n

Son travail a trouv\u00e9 une visibilit\u00e9 et une reconnaissance sur la sc\u00e8ne artistique et cin\u00e9matographique internationale et a \u00e9t\u00e9 montr\u00e9 lors d\u2019expositions personnelles et collectives : Hier revient et je l\u2019entends, Institut des Cultures d\u2019Islam et B\u00e9tonsalon – Centre d\u2019Art et de Recherche, Paris (2023) ; Le cantique des oiseaux, Domaine du Rayol – Le Jardin des M\u00e9diterran\u00e9es, Rayol (2022) ; Le cantique des oiseaux, La Cri\u00e9e, Rennes (2022) ; Elle a allum\u00e9 le vif du pass\u00e9, FRAC PACA, Marseille (2021) ; The Algerian Novel, Kalmar Konstmuseum, Kalmar (2020) ; She Rekindled the vividness of the past, Kunsthalle M\u00fcnster, M\u00fcnster (2019) ; Ya Rayi, Centre d\u2019art La Passerelle, Brest (2018) ; \u00c0 l\u2019ombre de l\u2019\u00e9toile et du croissant, Centre r\u00e9gional de la photographie Hauts-de-France, Douchy-les-Mines (2018) …<\/p>\n

Elle a \u00e9galement particip\u00e9 \u00e0 de nombreuses expositions collectives : Histoires vraies, MAC VAL, Vitry-Sur-Seine (2023) ; Bergen Assembly, Yasmine and the Seven Faces of the Heptahedron, Bryggens Museum, Norv\u00e8ge (2022) ; Europa Oxal\u00e1, MUCEM, Marseille, Fondation Gulbenkian, Lisbonne, Mus\u00e9e Royal de l\u2019Afrique Centrale, Tervuren (2021-2022) ; Global(e) Resistance, Centre Pompidou, Paris (2020) ; A toi appartient le regard (…), Quai Branly, Paris (2020) ; Un instant avant le monde, Biennale de Rabat (2018) ; Biennale de Rennes (2018)…<\/p>\n

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Born in 1973 in Clermont-Ferrand<\/em>
Lives and works in Paris<\/em><\/p>\n

The work of Katia Kameli, a Franco-Algerian artist and film-maker, is based on a research approach: historical and cultural facts fuel the multiple forms of her plastic and poetic imagination. She sees herself as a “translator”. Translation is not simply a passage between two cultures or a simple act of transmission, but also functions as an extension of meaning and form. A rewriting of narratives emerges in her work. It highlights a global history, made up of porous borders and reciprocal influences, in order to open up a reflexive path that generates a critical view of the world.<\/em><\/p>\n

Her work has gained visibility and recognition on the international art and film scene, and has been shown in solo and group exhibitions: Hier revient et je l’entends, Institut des Cultures d’Islam and B\u00e9tonsalon – Centre d’Art et de Recherche, Paris (2023) ; Le cantique des oiseaux, Domaine du Rayol – Le Jardin des M\u00e9diterran\u00e9es, Rayol (2022) ; Le cantique des oiseaux, La Cri\u00e9e, Rennes (2022) ; Elle a allum\u00e9 le vif du pass\u00e9, FRAC PACA, Marseille (2021) ; The Algerian Novel, Kalmar Konstmuseum, Kalmar (2020) ; She Rekindled the vividness of the past, Kunsthalle M\u00fcnster, M\u00fcnster (2019) ; Ya Rayi, Centre d’art La Passerelle, Brest (2018) ; \u00c0 l’ombre de l’\u00e9toile et du croissant, Centre r\u00e9gional de la photographie Hauts-de-France, Douchy-les-Mines (2018) . ..<\/em><\/p>\n

She has also taken part in a number of group exhibitions: Histoires vraies, MAC VAL, Vitry-Sur-Seine (2023); Bergen Assembly, Yasmine and the Seven Faces of the Heptahedron, Bryggens Museum, Norway (2022); Europa Oxal\u00e1, MUCEM, Marseille, Fondation Gulbenkian, Lisbon, Mus\u00e9e Royal de l’Afrique Centrale, Tervuren (2021-2022); Global(e) Resistance, Centre Pompidou, Paris (2020); A toi appartient le regard (. .), Quai Branly, Paris (2020); Un instant avant le monde, Rabat Biennial (2018); Rennes Biennial (2018)…<\/em><\/p>\n

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> Hodhod #1, 2022<\/a>
> Retour Liste des artistes<\/a><\/strong><\/p>\n\n\n\n

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Katia Kameli N\u00e9e en 1973 \u00e0 Clermont-FerrandVit et travaille \u00e0 Paris La pratique de Katia Kameli, artiste et r\u00e9alisatrice franco-alg\u00e9rienne, repose sur une d\u00e9marche de recherche : le fait historique et culturel alimente les formes plurielles de son imaginaire plastique et po\u00e9tique. Elle se consid\u00e8re comme une \u00ab\u2009traductrice\u2009\u00bb. La traduction n\u2019est pas un simple passage …<\/p>\n

Katia Kameli<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2628"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=2628"}],"version-history":[{"count":8,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2628\/revisions"}],"predecessor-version":[{"id":3613,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2628\/revisions\/3613"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=2628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}