{"id":2631,"date":"2023-05-27T19:36:57","date_gmt":"2023-05-27T17:36:57","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=2631"},"modified":"2023-07-10T18:16:46","modified_gmt":"2023-07-10T16:16:46","slug":"tadashi-kawamata","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/tadashi-kawamata\/","title":{"rendered":"Tadashi Kawamata"},"content":{"rendered":"\n
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Tadashi Kawamata<\/h2>\n\n\n
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N\u00e9 en 1953 \u00e0 Hokkaid\u014d (Japon)
Vit et travaille \u00e0 Tokyo et Paris<\/p>\n

D\u00e8s son cursus d\u2019\u00e9tudiant en peinture, dans les ann\u00e9es 1970, Tadashi Kawamata s\u2019est engag\u00e9 dans une d\u00e9marche artistique sans complaisance. Doutant de tout, il nous entra\u00eene dans cette disposition d\u2019esprit qui invite \u00e0 regarder \u00e0 deux fois ce qui nous environne, induisant ainsi un questionnement sur des th\u00e8mes universels de l\u2019humain comme le besoin et le d\u00e9sir. Les\u00a0formes de Kawamata, les mat\u00e9riaux qu\u2019il utilise sont toujours subtilement choisis, en parfaite ad\u00e9quation avec les lieux dans lesquels il intervient.<\/p>\n

Tadashi Kawamata est en effet c\u00e9l\u00e8bre pour ses interventions in situ, r\u00e9alis\u00e9es en assemblant des planches de bois, des chaises, des tonneaux… Qu\u2019elles\u00a0s\u2019\u00e9l\u00e8vent en de fragiles constructions bab\u00e9liennes, qu\u2019elles s\u2019\u00e9tirent sous la forme de passerelles serpentines ou qu\u2019elles soient suspendues dans les airs, ses \u0153uvres offrent, \u00e0 ceux qui les exp\u00e9rimentent, les escaladent ou en foulent le plancher, un autre point de vue \u2013\u00a0dans tous les sens du terme\u00a0\u2013 sur le lieu qui les accueille.\u00a0<\/p>\n

Le travail de Tadashi Kawamata a fait l\u2019objet de multiples pr\u00e9sentations dans le monde entier au sein d\u2019institutions telles que le MAAT, Lisbonne (2018), le Mus\u00e9e Pouchkine, Moscou (2018),\u00a0 <\/span>Made in Cloister \u00e0 Naples (2017), le Thurgau Art Museum, Suisse (2014), le Centre Pompidou \u00e0 Paris (2010) et \u00e0 Metz (2016), au Toyosu Dome \u00e0 Tokyo (2010-2013), le HKW \u00e0 Berlin (2009), le Art Tower Mito \u00e0 Mito (2001), la\u00a0Artpace San Antonio (1998), la Serpentine Gallery \u00e0 Londres (1997), le MACBA \u00e0 Barcelone (1996) ; ainsi\u00a0que dans le cadre de nombreuses biennales telles que la Biennale de Venise (1982), la documenta 8 et IX (1987 ; 1992), la Biennale internationale de S\u00e3o Paulo (1987), la Biennale d\u2019Art Contemporain de Lyon\u00a0(1993), le Skulptur Projekte M\u00fcnster (1997), la Biennale de Sydney (1998), la J\u00e9rusalem Biennale (1999), la\u00a0Triennale d\u2019art d\u2019Echigo-Tsumari \u00e0 Niigata (2000), la Biennale de Shanghai, la Biennale de Busan (2002), la Biennale de Valence (2004), la Biennale de Melle (2009) la Biennale Evento \u00e0 Bordeaux (2009), et la Biennale d\u2019Helsinki (2021).<\/p>\n

Tadashi Kawamata est repr\u00e9sent\u00e9 par Mennour<\/a><\/p>\n

\u00a0 \u00a0<\/p>\n\n\n\n

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Born in 1953 in Hokkaid\u014d (Japan)<\/em>
Lives and works in Tokyo and Paris<\/em><\/p>\n

Ever since he studied painting in the 1970s, Tadashi Kawamata has been committed to an uncompromising artistic approach. Doubting everything, he draws us into this frame of mind that invites us to look twice at what surrounds us, leading us to question universal human themes such as need and desire. Kawamata’s forms and the materials he uses are always subtly chosen, in perfect harmony with the places in which he works.<\/em><\/p>\n

Tadashi Kawamata is famous for his site-specific interventions, in which he assembles planks of wood, chairs, barrels and so on. Whether they rise up in fragile Babel-like constructions, stretch out like serpentine walkways or are suspended in the air, his works offer those who experiment with them, climb them or tread on their floors a different perspective – in every sense of the word – on the place that hosts them.\u00a0<\/p>\n

Tadashi Kawamata’s work has been shown around the world in institutions such as MAAT, Lisbon (2018), the Pushkin Museum, Moscow (2018), Made in Cloister in Naples (2017), the Thurgau Art Museum, Switzerland (2014), Centre Pompidou in Paris (2010) and Metz (2016), Toyosu Dome in Tokyo (2010-2013), HKW in Berlin (2009), Art Tower Mito in Mito (2001), Artpace San Antonio (1998), Serpentine Gallery in London (1997), MACBA in Barcelona (1996); as well as numerous biennials such as the Venice Biennale (1982), documenta 8 and IX (1987 ; 1992), the S\u00e3o Paulo International Biennial (1987), the Lyon Biennial of Contemporary Art (1993), the Skulptur Projekte M\u00fcnster (1997), the Sydney Biennial (1998) and the Jerusalem Biennial (1999), the Echigo-Tsumari Art Triennial in Niigata (2000), the Shanghai Biennial, the Busan Biennial (2002), the Valencia Biennial (2004), the Melle Biennial (2009), the Evento Biennial in Bordeaux (2009), and the Helsinki Biennial (2021).<\/em><\/p>\n

Tadashi Kawamata is represented by Mennour<\/a><\/em><\/p>\n

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> Nests in Saint-Paul- de-Vence, 2023<\/a>
> Retour Liste des artistes<\/a><\/strong><\/span><\/p>\n\n\n\n

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Photo Archives Mennour.<\/figcaption><\/figure><\/div>\n\n\n\n

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Tadashi Kawamata N\u00e9 en 1953 \u00e0 Hokkaid\u014d (Japon)Vit et travaille \u00e0 Tokyo et Paris D\u00e8s son cursus d\u2019\u00e9tudiant en peinture, dans les ann\u00e9es 1970, Tadashi Kawamata s\u2019est engag\u00e9 dans une d\u00e9marche artistique sans complaisance. Doutant de tout, il nous entra\u00eene dans cette disposition d\u2019esprit qui invite \u00e0 regarder \u00e0 deux fois ce qui nous environne, …<\/p>\n

Tadashi Kawamata<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2631"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=2631"}],"version-history":[{"count":6,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2631\/revisions"}],"predecessor-version":[{"id":3460,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2631\/revisions\/3460"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=2631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}