{"id":2633,"date":"2023-05-27T19:41:04","date_gmt":"2023-05-27T17:41:04","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=2633"},"modified":"2023-07-10T18:23:19","modified_gmt":"2023-07-10T16:23:19","slug":"caroline-mesquita","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/caroline-mesquita\/","title":{"rendered":"Caroline Mesquita"},"content":{"rendered":"\n
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Caroline Mesquita<\/h2>\n\n\n
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N\u00e9e en 1989 \u00e0 Brest
Vit et travaille entre Marseille et Le Drennec<\/p>\n

\u00ab\u2009Pour Caroline Mesquita, une sculpture n\u2019est jamais qu\u2019une sculpture. Les objets qu\u2019elle cr\u00e9e, \u00e0 la fois instruments de musique, \u00e9l\u00e9ments de d\u00e9cors et personnages principaux de performances film\u00e9es, refusent all\u00e8grement d\u2019\u00eatre enferm\u00e9s dans une identit\u00e9 d\u00e9finie. \u00c0 travers ses films et ses installations, la jeune sculptrice cr\u00e9e des liens entre diff\u00e9rents mondes.<\/p>\n

Caroline Mesquita poursuit sa qu\u00eate d\u2019une identit\u00e9 multiple et changeante. Elle questionne les limites des corps et des mat\u00e9riaux qu\u2019elle utilise, ainsi que les limites du m\u00e9dium sculptural lui-m\u00eame. La d\u00e9construction et le r\u00e9assemblage incessants des identit\u00e9s de ses personnages prennent corps \u00e0 travers la fragmentation de leurs corps robotiques et d\u00e9sordonn\u00e9s. […]\u2009\u00bb
Extrait de texte d\u2019Elena Cardin<\/p>\n

Caroline Mesquita a remport\u00e9 le 19e prix de la Fondation d\u2019entreprise Ricard en 2017. Elle a notamment expos\u00e9 au Blaffer Art Museum, \u00e0 Houston\u00a0; \u00e0 PIVO, \u00e0 Sao Paolo ; \u00e0 la Fondazione Pomodoro, \u00e0 Milan ; au Centre d\u2019art Passerelle, \u00e0 Brest ; \u00e0 la Galeria Municipal do Porto, \u00e0 Porto ; \u00e0 la Kunsthalle Lissabon, \u00e0 Lisbonne ; au Centre Pompidou, \u00e0 Paris\u00a0; SALTS, Birsfelden ; 221a, Vancouver ; Fondation d\u2019entreprise Ricard, Paris ; Kunstverein Langenhagen, Langenhagen\u00a0; SpazioA, Pistoia ; Centre d\u2019art du Parc Saint L\u00e9ger, Pougues-les-Eaux ; Le Bains-Douches, Paris ; 1m3, Lausanne ; entre autres.<\/p>\n

Elle a particip\u00e9 \u00e0 des expositions collectives dans des lieux tels que le Museo de Arte de Zapopan, Guadalajara ; Bonniers Konsthall, Stockholm ; SCHIRN KUNSTHALLE FRANKFURT ; Palais de Tokyo, Paris\u00a0; Folkwang Museum, Essen ; La Loge, Bruxelles ; Monnaie de Paris, Paris ; Astrup Fearnley Museet, Oslo\u00a0; FRAC Ile-de-France ; Flax Foundation, Los\u00a0Angeles ; Arsenal Contemporary New York, USA\u00a0; parmi d\u2019autres.<\/p>\n

Caroline Mesquita est repr\u00e9sent\u00e9e par Carlier Gebauer<\/a><\/p>\n

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Born in 1989 in Brest<\/em>
Lives and works between Marseille and Le Drennec<\/em><\/p>\n

“For Caroline Mesquita, a sculpture is never just a sculpture. The objects she creates, which are at once musical instruments, set pieces and the main characters in filmed performances, cheerfully refuse to be confined within a defined identity. Through her films and installations, the young sculptor creates links between different worlds.<\/em><\/p>\n

Caroline Mesquita is pursuing her quest for a multiple and changing identity. She questions the limits of the bodies and materials she uses, as well as the limits of the sculptural medium itself. The incessant deconstruction and reassembly of her characters’ identities takes shape through the fragmentation of their disordered, robotic bodies. […] “<\/em>
Text by Elena Cardin<\/em><\/p>\n

Caroline Mesquita won the 19th Ricard Corporate Foundation Prize in 2017. She has exhibited at the Blaffer Art Museum, Houston; PIVO, Sao Paolo; Fondazione Pomodoro, Milan; Centre d’art Passerelle, Brest; Galeria Municipal do Porto, Porto; Kunsthalle Lissabon, Lisbon; Centre Pompidou, Paris; SALTS, Birsfelden; 221a, Vancouver; Fondation d’entreprise Ricard, Paris; Kunstverein Langenhagen, Langenhagen; SpazioA, Pistoia; Centre d’art du Parc Saint L\u00e9ger, Pougues-les-Eaux; Le Bains-Douches, Paris; 1m3, Lausanne; among others.<\/em><\/p>\n

She has participated in group exhibitions at venues such as Museo de Arte de Zapopan, Guadalajara; Bonniers Konsthall, Stockholm; SCHIRN KUNSTHALLE FRANKFURT; Palais de Tokyo, Paris; Folkwang Museum, Essen; La Loge, Brussels; Monnaie de Paris, Paris; Astrup Fearnley Museet, Oslo; FRAC Ile-de-France; Flax Foundation, Los Angeles; Arsenal Contemporary New York, USA; among others.<\/em><\/p>\n

Caroline Mesquita is represented by Carlier Gebauer<\/a><\/em><\/p>\n

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> Oiseaux (Aigrette H\u00e9ron Grive Pingouin), 2023<\/a>
> Retour Liste des artistes<\/a><\/strong><\/span><\/p>\n<\/div>\n\n\n\n

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Photo Elina Belou<\/figcaption><\/figure><\/div>\n\n\n\n

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Caroline Mesquita N\u00e9e en 1989 \u00e0 BrestVit et travaille entre Marseille et Le Drennec \u00ab\u2009Pour Caroline Mesquita, une sculpture n\u2019est jamais qu\u2019une sculpture. Les objets qu\u2019elle cr\u00e9e, \u00e0 la fois instruments de musique, \u00e9l\u00e9ments de d\u00e9cors et personnages principaux de performances film\u00e9es, refusent all\u00e8grement d\u2019\u00eatre enferm\u00e9s dans une identit\u00e9 d\u00e9finie. \u00c0 travers ses films et …<\/p>\n

Caroline Mesquita<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2633"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=2633"}],"version-history":[{"count":6,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2633\/revisions"}],"predecessor-version":[{"id":3464,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/2633\/revisions\/3464"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=2633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}