{"id":3042,"date":"2023-06-11T10:15:04","date_gmt":"2023-06-11T08:15:04","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=3042"},"modified":"2023-06-11T11:32:25","modified_gmt":"2023-06-11T09:32:25","slug":"2023-parcours-cercle-des-artistes","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/2023-parcours-cercle-des-artistes\/","title":{"rendered":"2023-Parcours-Cercle des Artistes"},"content":{"rendered":"\n
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Edition 2023 – <\/span>une galerie – un artiste<\/span><\/h2>\n

Le Cercle des Artistes de Saint-Paul-de-Vence<\/h2>\n\n\n
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Aur\u00e9lia Zuliani<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n

Le Cercle des Artistes de Saint-Paul<\/b>
La Vieille Forge – Place du Tilleul
06570 Saint-Paul-de-Vence
www.facebook.com\/casp.saintpaul\/<\/a><\/strong><\/p>\n

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La Vieille Forge est le local d\u2019exposition du Cercle des artistes de Saint-Paul-de-Vence dont l\u2019objectif est la promotion des artistes auteurs locaux.<\/p>\n

Le Cercle des Artistes pr\u00e9sente Aur\u00e9lia Zuliani<\/b><\/p>\n

Form\u00e9e \u00e0 l\u2019\u00e9cole de c\u00e9ramique de Vallauris, Aur\u00e9lia Zuliani, s\u2019inspire des couleurs, des motifs de la r\u00e9gion, des tons chauds de la Provence et de la culture locale pour cr\u00e9er des pi\u00e8ces uniques.<\/p>\n

” Je suis toujours \u00e0 la d\u00e9couverte de nouvelles techniques et de savoir-faire pour penser et concevoir de nouveaux objets en c\u00e9ramique.<\/p>\n

Mon travail est principalement ex\u00e9cut\u00e9 \u00e0 la plaque. Ce dernier est une toute autre technique que le tournage. Ce que je pr\u00e9f\u00e8re, c’est l’assemblage d’\u00e9l\u00e9ments. L’argile nous permet de cr\u00e9er un objet bien pens\u00e9 et fonctionnel. J’imagine et con\u00e7ois la c\u00e9ramique tout d\u2019abord avec l’objectif de dur\u00e9e, qu\u2019elle soit intemporelle. Dans un deuxi\u00e8me temps, je cherche a ce que ses attributs soient fonctionnels et utilitaires. J\u2019aime concevoir un objet de la vie quotidienne quasi indispensable autant par sa po\u00e9sie que par son utilit\u00e9.<\/p>\n

Par ailleurs, je travaille beaucoup la couleur avec la technique de l’engobe. Pour cela je r\u00e9duis ma fa\u00efence en fine poudre que je passe ensuite au tamis pour ensuite y rajouter des pigments. Mon mot d’ordre est d’utiliser des pigments sp\u00e9cifiques pour rester aussi proche que possible des couleurs naturelles, et dans le respect de l’argile et de l\u2019environnement. J\u2019utilise le plus souvent de la fa\u00efence blanche et parfois de l\u2019argile de Provence, en fonction de la saison. Avec l’argile tout a un sens. En c\u00e9ramique, il est litt\u00e9ralement possible de tout concevoir, tout peut s\u2019exploiter, ce qui rend \u00e9galement ce travail tr\u00e8s int\u00e9ressant et sans limite. Dans cette spirale d\u2019id\u00e9es sans fin, il faut apprendre \u00e0 cibler les choses importantes pour la conception des \u0153uvres.” Aur\u00e9lia Zuliani.<\/p>\n

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La Vieille Forge is the exhibition space of the Cercle des Artistes de Saint-Paul-de-Vence, whose aim is to promote local artists and authors.<\/em><\/p>\n

The Cercle des Artistes presents Aur\u00e9lia Zuliani<\/b><\/em><\/p>\n

Trained at the Vallauris ceramics school, Aur\u00e9lia Zuliani draws her inspiration from the colours and motifs of the region, the warm tones of Provence and local culture to create unique pieces.<\/em><\/p>\n

“I’m always on the lookout for new techniques and skills to help me think up and design new ceramic objects.<\/em><\/p>\n

Most of my work is done on slabs. This is a completely different technique from throwing. What I prefer is assembling elements. Clay allows us to create a well-thought-out, functional object. I imagine and design ceramics first of all with the aim of making them last, so that they are timeless. Secondly, I try to ensure that its attributes are functional and utilitarian. I like to design everyday objects that are almost indispensable, as much for their poetry as for their usefulness.<\/em><\/p>\n

I also work a lot with colour, using the slip technique. To do this, I grind my earthenware into a fine powder, which I then sieve and add pigments. My motto is to use specific pigments to stay as close as possible to natural colours, while respecting the clay and the environment. I usually use white earthenware and sometimes Provence clay, depending on the season. With clay, everything has a meaning. With ceramics, it’s literally possible to conceive of anything, anything can be exploited, which also makes this work very interesting and limitless. In this spiral of endless ideas, you have to learn to focus on the things that are important for the design of the works.” Aur\u00e9lia Zuliani.<\/em><\/p>\n\n\n\n

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> Retour  Le parcours des galeries de Saint-Paul de Vence<\/strong><\/span><\/a><\/p>\n\n\n

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Edition 2023 – une galerie – un artiste Le Cercle des Artistes de Saint-Paul-de-Vence Le Cercle des Artistes de Saint-PaulLa Vieille Forge – Place du Tilleul06570 Saint-Paul-de-Vencewww.facebook.com\/casp.saintpaul\/ \u00a0 La Vieille Forge est le local d\u2019exposition du Cercle des artistes de Saint-Paul-de-Vence dont l\u2019objectif est la promotion des artistes auteurs locaux. Le Cercle des Artistes pr\u00e9sente …<\/p>\n

2023-Parcours-Cercle des Artistes<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3042"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=3042"}],"version-history":[{"count":4,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3042\/revisions"}],"predecessor-version":[{"id":3110,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3042\/revisions\/3110"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=3042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}