{"id":3286,"date":"2023-06-29T16:43:29","date_gmt":"2023-06-29T14:43:29","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=3286"},"modified":"2023-07-04T08:47:46","modified_gmt":"2023-07-04T06:47:46","slug":"anna-hulacova-from-the-food-chain-to-eternity-2023","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/anna-hulacova-from-the-food-chain-to-eternity-2023\/","title":{"rendered":"Anna Hulacova-From the Food Chain to Eternity, 2023"},"content":{"rendered":"\n
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Anna Hula\u010dov\u00e1<\/span>
From the Food Chain to Eternity, 2023<\/h2>\n

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\u00ab L\u2019oeuvre d\u2019art que j\u2019ai r\u00e9alis\u00e9e pour la biennale est un coq marchant sur un pi\u00e9destal en forme de radiateur. Elle fait r\u00e9f\u00e9rence \u00e0 la cha\u00eene alimentaire dans la nature, o\u00f9 les diff\u00e9rentes esp\u00e8ces de l\u2019\u00e9cosyst\u00e8me sont interd\u00e9pendantes et reli\u00e9es par le tube digestif. Elle fait \u00e9galement r\u00e9f\u00e9rence au probl\u00e8me de l\u2019extinction des insectes pollinisateurs, qui est l\u2019une des causes de l\u2019effondrement de ce cycle naturel. <\/span><\/p>\n

Un tube pousse \u00e0 partir de l\u2019appareil de chauffage (le socle) et se transforme en une plante \u00e0 fleurs sur laquelle se trouve un insecte pollinisateur mang\u00e9 par un coq. Des pi\u00e8ces de c\u00e9ramique \u00e9maill\u00e9e sont encastr\u00e9es dans le coq, repr\u00e9sentant des habitations fonctionnelles tr\u00e8s sp\u00e9cifiques pour les insectes, des maisons pour les pollinisateurs sauvages. Les pi\u00e8ces de c\u00e9ramique, les habitations des insectes, repr\u00e9sentent \u00e9galement le tube digestif interne du coq, mais ne sont visibles que sur un seul c\u00f4t\u00e9 du corps. L\u2019autre c\u00f4t\u00e9 du coq est une forme concr\u00e8te stylis\u00e9e inspir\u00e9e des cultures populaires qui c\u00e9l\u00e9braient le coq comme un animal noble. <\/span><\/p>\n

J\u2019ai choisi le coq parce que cet oiseau m\u00e2le est un symbole tr\u00e8s populaire de la vie rurale depuis des mill\u00e9naires et qu\u2019il est encore aujourd\u2019hui porteur de nombreuses significations. Par exemple, le probl\u00e8me de l\u2019agriculture contemporaine et sa relation avec le territoire. L\u2019espace vital de tous les animaux de ferme se r\u00e9duit en raison de l\u2019augmentation de l\u2019\u00e9levage de certaines esp\u00e8ces telles que la volaille. Ce ph\u00e9nom\u00e8ne est li\u00e9 \u00e0 l\u2019\u00e9volution du paysage et \u00e0 la disparition des insectes pollinisateurs, qui sont fortement affect\u00e9s par l\u2019\u00e9volution des pratiques agricoles et le changement climatique. Et comme les insectes sont aussi la nourriture naturelle des oiseaux, la cha\u00eene alimentaire s\u2019en trouve perturb\u00e9e. <\/span><\/p>\n

Notre d\u00e9pendance au monde animal est similaire \u00e0 notre rapport \u00e0 l\u2019\u00e9nergie, dont nous d\u00e9pendons en tant que soci\u00e9t\u00e9 et au sujet de laquelle nous nous interrogeons de plus en plus quant \u00e0 son origine et son impact, en relation avec la crise climatique et environnementale. Dans la sculpture du coq, ce th\u00e8me \u00e9cologique est symbolis\u00e9 par le radiateur, qui devient un socle de soutien pour le fonctionnement de notre civilisation, mais qui montre aussi la transformation de notre d\u00e9pendance humaine en une forme v\u00e9g\u00e9tale et animale. Ces relations \u00e9voluent vers des formes hybrides et surr\u00e9alistes – le radiateur se transforme en une plante, qui est pollinis\u00e9e par des insectes qui s\u2019infiltrent ensuite dans le corps de l\u2019oiseau, et se transforme encore en un autre monde, paradoxalement un abri, une habitation. \u00bb<\/p>\n

Anna Hula\u010dov\u00e1 est repr\u00e9sent\u00e9e par Hunt Kastner<\/a><\/p>\n

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“The artwork I made for the biennale is a rooster walking on a pedestal in the form of a radiator, a heater. It refers to the food chain in nature, where different species of the ecosystem are interdependent and interconnected through the digestive tract. It also refers to the problem of the extinction of insect pollinators which is one of the causes of the collapse of this natural cycle.\u00a0<\/span><\/em><\/p>\n

A tube grows out of the heater (the pedestal) and turns into a flowering plant on which sits an insect pollinator eaten by a rooster. Glazed ceramic pieces are embedded into the rooster, representing very specific functional insect dwellings, homes for wild pollinators. The ceramic parts, the insect dwellings, also represent the internal digestive tract of the rooster but are visible on only one side of the body. The other side of the rooster is a stylized concrete form inspired by folk cultures which celebrated the rooster as a noble animal.\u00a0<\/span><\/em><\/p>\n

I chose the rooster because this male bird has been a very popular symbol of rural life for millennia and carries with it many meanings even today. For example, the problem of contemporary agriculture and its relationship to the landscape. The living space for all farm animals is shrinking due to the increased breeding of certain species such as poultry. This is linked to the changing landscape and the disappearance of insect pollinators which are being significantly affected by changing farming practices and climate change. And as insects are also the natural food of birds, the food chain is thus disrupted.\u00a0<\/span><\/em><\/p>\n

Our dependence on the animal world is identical to our relationship with energy, on which we depend as a society and which we are increasingly questioning the origins and impact of, in relation to the climate and environmental crisis. In the rooster sculpture, this ecological theme is symbolized by the radiator, which becomes a supporting pedestal for the functioning of our civilization, but also shows the transformation of our human dependence into a plant and animal form. These relationships reach hybrid and surreal forms – the radiator transforms into a plant, which is pollinated by insects which then permeate the body of the bird and is further transformed into another world, paradoxically\u00a0<\/span>a shelter, a dwelling.“<\/span><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Anna Hula\u010dov\u00e1 is represented by Hunt Kastner<\/a><\/em><\/p>\n

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> Anna Hula\u010dov\u00e1 <\/a><\/span>
<\/strong><\/span>> Retour Liste des \u0153uvres<\/a><\/strong><\/p>\n\n\n\n

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From the Food Chain to Eternity, 2023<\/strong><\/span> <\/strong><\/span>
<\/span>B\u00e9ton, m\u00e9tal, c\u00e9ramique, mat\u00e9riau d\u2019\u00e9tanch\u00e9it\u00e9 
<\/span>Concrete, metal, ceramic, sealing material<\/em> <\/em>
<\/span>265 x 230 x 90 cm 
<\/span>Courtesy of the artist and hunt kastner, Prague 
<\/span>Avec le soutien du Centre Tch\u00e8que Paris<\/a> 
<\/span>With the support of the Czech Center Paris<\/a><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Anna Hula\u010dov\u00e1From the Food Chain to Eternity, 2023 \u00ab L\u2019oeuvre d\u2019art que j\u2019ai r\u00e9alis\u00e9e pour la biennale est un coq marchant sur un pi\u00e9destal en forme de radiateur. Elle fait r\u00e9f\u00e9rence \u00e0 la cha\u00eene alimentaire dans la nature, o\u00f9 les diff\u00e9rentes esp\u00e8ces de l\u2019\u00e9cosyst\u00e8me sont interd\u00e9pendantes et reli\u00e9es par le tube digestif. Elle fait \u00e9galement …<\/p>\n

Anna Hulacova-From the Food Chain to Eternity, 2023<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3286"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=3286"}],"version-history":[{"count":3,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3286\/revisions"}],"predecessor-version":[{"id":3332,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3286\/revisions\/3332"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=3286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}