{"id":3344,"date":"2023-07-10T12:10:31","date_gmt":"2023-07-10T10:10:31","guid":{"rendered":"https:\/\/bis-art.com\/?page_id=3344"},"modified":"2023-07-10T12:10:32","modified_gmt":"2023-07-10T10:10:32","slug":"tadashi-kawamata-nests-in-saint-paul-de-vence-2023","status":"publish","type":"page","link":"https:\/\/bis-art.com\/index.php\/tadashi-kawamata-nests-in-saint-paul-de-vence-2023\/","title":{"rendered":"Tadashi Kawamata-Nests in Saint-Paul- de-Vence, 2023"},"content":{"rendered":"\n
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Tadashi Kawamata
Nests in Saint-Paul-de-Vence, 2023<\/span><\/span><\/h2>\n

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Avec son installation Nests in Saint-Paul-de-Vence<\/i>, Tadashi Kawamata nidifie le village embl\u00e9matique m\u00e9di\u00e9val du Sud de la France.\u00a0<\/span><\/p>\n

Invasifs et spontan\u00e9s, les Nests <\/i>sont r\u00e9alis\u00e9s en assemblant des mat\u00e9riaux de r\u00e9cup\u00e9ration faits de bois, dans une grande libert\u00e9 d\u2019action et de geste. Intervenant de mani\u00e8re soudaine et inattendue dans l\u2019espace urbain, ils interrogent les formes b\u00e2ties de la ville et notre exp\u00e9rience face \u00e0 celles-ci.\u00a0
<\/span>Les Nests<\/i>, \u00e0 l\u2019image de toutes ses oeuvres, sont toujours con\u00e7us in situ<\/i>. Le processus cr\u00e9atif de l\u2019artiste d\u00e9bute toujours apr\u00e8s s\u2019\u00eatre rendu dans le lieu d\u2019exposition. Ils se construisent comme une r\u00e9action \u00e0 un lieu donn\u00e9.\u00a0
<\/span>Install\u00e9s en hauteur, ces nids nous invitent \u00e0 r\u00e9fl\u00e9chir aux enjeux \u00e9cologiques actuels, au r\u00e9chauffement climatique et aux catastrophes naturelles. \u00c9ph\u00e9m\u00e8res, ils renforcent davantage cette sensation de fragilit\u00e9 de la biodiversit\u00e9.\u00a0
<\/span>Ces abris, ces refuges sont dispos\u00e9s de part et d\u2019autre du village. Deux des nids se retrouvent perch\u00e9s, l\u2019un sur l\u2019arbre du Bastion Royal, l\u2019un sur le rempart, Courtine Saint-M\u00eftre. Un autre enroule la tr\u00e8s haute Tour de la Coll\u00e9giale de l\u2019\u00c9glise de la Conversion de-Saint- Paul, prenant la forme d\u2019un nuage. Nous en trouvons un dernier, monumental, englobant l\u2019enti\u00e8ret\u00e9 de la Tour \u00e0 M\u00e2chicoulis.\u00a0
<\/span>Ces nids, aux formes organiques, l\u00e9g\u00e8res et hors du temps, contrastent avec les constructions architecturales m\u00e9di\u00e9vales massives du village.\u00a0<\/span><\/p>\n

Po\u00e9tiques et m\u00e9lancoliques, ils nous \u00e9voquent les oiseaux, all\u00e9gories de la libert\u00e9, qui tendent aujourd\u2019hui \u00e0 dispara\u00eetre de nos villes et s\u2019\u00e9loigner des hommes, s\u2019\u00e9rigeant alors comme le symbole d\u2019une nature \u00e0 pr\u00e9server et \u00e0 prot\u00e9ger.\u00a0<\/span><\/p>\n

Nests in Saint-Paul-de-Vence <\/i>invite les oiseaux \u00e0 revenir et \u00e0 r\u00e9\u00e9lire domicile dans la ville.\u00a0<\/span><\/p>\n

Tadashi Kawamata est repr\u00e9sent\u00e9 par Mennour<\/a><\/p>\n

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With his installation Nests in Saint-Paul-de-Vence, Tadashi Kawamata nests in the emblematic medieval village in the south of France.\u00a0<\/span><\/em><\/p>\n

Invasive and spontaneous, Nests are created by assembling salvaged materials made of wood, with great freedom of action and gesture. Intervening suddenly and unexpectedly in the urban space, they question the built forms of the city and our experience of them. Like all his creation, the Nests are always conceived in situ. The artist\u2019s creative process always begins after visiting the exhibition space. They are constructed as a reaction to a given location.\u00a0
<\/span><\/em>Installed high up, these nests invite us to reflect on current ecological issues, global warming, and natural disasters. As they are ephemeral, they reinforce the sense of the fragility of biodiversity.\u00a0
<\/span><\/em>These shelters and refuges are arranged on either side of the village. Two of the nests are perched, one on the tree of the Bastion Royal, the other on the rampart, Courtine Saint-M\u00eftre. Another wraps around the very high tower of the Collegiate Church of the Church Conversion of Saint Paul, taking on the shape of a cloud. The last is monumental, encompassing the entire M\u00e2chicoulis Tower. These nests, with their organic, light, timeless shapes, contrast with the village\u2019s massive medieval architectural structures.\u00a0<\/span><\/em><\/p>\n

Poetic and melancholy, they evoke birds, allegories of freedom, which are tending to disappear from our towns and cities and move further away from people, becoming symbols of a nature to be preserved and protected.\u00a0<\/span><\/em><\/p>\n

Nests in Saint-Paul-de-Vence invites birds to return and take up residence in the town.<\/em><\/p>\n

Tadashi Kawamata is represented by Mennour<\/a><\/em><\/p>\n

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> Tadashi Kawamata<\/a><\/span>
<\/strong><\/span>> Retour Liste des \u0153uvres<\/a><\/strong><\/p>\n\n\n\n

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Nests in Saint-Paul-de-Vence, 2023<\/strong>\u00a0<\/strong>
<\/span><\/span>Bois\u00a0
<\/span>Wood\u00a0
<\/span><\/em>Dimensions variables \/ Variable dimensions\u00a0
<\/span><\/em>\u00a9 Tadashi Kawamata Courtesy of the artist and Mennour Paris\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Tadashi KawamataNests in Saint-Paul-de-Vence, 2023 \u00a0 Avec son installation Nests in Saint-Paul-de-Vence, Tadashi Kawamata nidifie le village embl\u00e9matique m\u00e9di\u00e9val du Sud de la France.\u00a0 Invasifs et spontan\u00e9s, les Nests sont r\u00e9alis\u00e9s en assemblant des mat\u00e9riaux de r\u00e9cup\u00e9ration faits de bois, dans une grande libert\u00e9 d\u2019action et de geste. Intervenant de mani\u00e8re soudaine et inattendue dans …<\/p>\n

Tadashi Kawamata-Nests in Saint-Paul- de-Vence, 2023<\/span> Lire la suite \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3344"}],"collection":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/comments?post=3344"}],"version-history":[{"count":3,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3344\/revisions"}],"predecessor-version":[{"id":3376,"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/pages\/3344\/revisions\/3376"}],"wp:attachment":[{"href":"https:\/\/bis-art.com\/index.php\/wp-json\/wp\/v2\/media?parent=3344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}